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Maxo Kream Creates A Hood Classic With “Roaches”

Quickly developing a reputation as the South’s best storyteller, Houston’s Maxo Kream packs evocative details and visceral imagery into his metronomic rhymes. Taking a deep look into traumatic and mundane moments in his past and present, Maxo shares “Roaches,” his latest video. The most personal and complete portrait yet of the young rapper, “Roaches” takes an innovative approach towards bringing Maxo’s distinct verses to life.

For the first verse, director Shomi Patwary recreates Maxo’s childhood apartment, complete with a rotating cast of his friends and family members, filmed to give the impression of a single shot, with inventive effects highlighting his lyrics. In the second verse, about his family’s struggle through 2017’s destructive Hurricane Harvey, the video evokes Maxo’s scattered state-of-mind, as the screen fills with water and shows news reports from that tumultuous moment in his life. “Roaches” is the climactic moment from the critically lauded album Punken, released by Maxo in January.

Titled after one of Maxo Kream’s childhood nicknames, Punken takes a deep and revealing look into the rapper’s past, with Maxo mastering his storytelling ability and hypnotic flows atop forward-thinking production. Featuring appearances from Trippie Redd, 03 Greedo, and D. Flowers, and with production from The Wlderness, Beatboy, Sonny Digital, Ethereal, Honorable C Note, $uicideboy$, Tommy Kruise, Wolfe De Mchls, Teddy Walton, and MexikoDro, Punken builds upon 2015’s Maxo 187 and 2016’s The Persona Tape with emotionally and sonically diverse tracks sitting side-by-side with insane drug-dealing bangers.

In their glowing review of the album, Pitchfork praised the album as “full of unsparing storytelling, pusher anthems, and a dynamic array of trap production over which Maxo delivers some of his most effective writing.”

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[…] Earlier this year, rapper Maxo Kream and NFL Cartel Bo shot visuals for “Hoova”. Two months ago the Houston Maxo Kream dropped the video “Roaches”. […]


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