The 10 songs on Lianne La Havas—nine originals plus a cover of Radiohead’s “Weird Fishes”—span the arc of a love affair, one that brought growth and newfound confidence. “This is my first self-produced album with my own band. I got my own way with everything—all the decisions that you hear on this album were mine,” she says. “I’m a woman now, so I’m less shy and timid about saying certain things. And there’s no right or wrong when it’s your record, so I was very much embracing that fact, as well.” She continues. “I’ve tapped into the best and worst parts of me and while I didn’t expect this to be the direction of my new music, it’s my reality and it’s driven by emotion. I dare say that this is the closest I’ve gotten to a pure expression so far. If you’d never heard me before, I’d be happy to say, ‘This is me. This is who I am.’”
Blood was nominated for a GRAMMY® Award for Best Urban Contemporary Album. It received tremendous critical praise, with The New York Times saying “There are cross-currents of rhythm and harmony, of melancholy and bliss, of romance and self-determination, of playfulness and purpose. But what comes across first is the sheer grace of her voice. It can be a breathy purr, a lilting tease, a liquid confession or a torchy declaration.” Pigeons and Planes said, “In the modern world of artificial pop and electronically charged hits, Lianne La Havas brings life. Combining jazzy chord progressions, funky bass lines, and sweet, soulful vocals, (she) makes the kind of music that transcends current fads.”
Her debut album, Is Your Love Big Enough? (2012), received similar acclaim, with the Associated Press calling it “not just one of the year’s best debuts, but one of the year’s best albums.” Among her many other accolades, La Havas has been nominated for the Mercury Music Prize, the Ivor Novello, Brits, and MOBOs.
La Havas has in recent years supported Coldplay on an international stadium tour, headlined Brixton Academy, and played the Afropunk Festival in New York. She and her band played London’s Barbican alongside the BBC Symphony Orchestra with Jules Buckley in February; a video for their performance of “Bittersweet” may be seen here
2.Read My Mind
6.Out of Your Mind (Interlude)
8.Please Don’t Make Me Cry